This is a widely held belief in certain circles that co-parenting a canine companion following a split is a terrible idea. Experts frequently claim such arrangements prevent individuals from healing, create logistical nightmares, lead to tension, and become annoying for all parties. As it turns out, and in a twist suited to a streaming movie, it also makes the canine in question to experience sadness.
While respecting the mental health of dogs – pet parents attest to their remarkable empathy. To witness a standout portrayal in canine melancholy, consider recent cinema. There is little doubt that a dog like Merv, a spirited little dog played by a talented dog named Gus, would find it difficult coping with life in two homes. Whether this premise a full holiday film around this situation is sustainable seems debatable at best.Predictable Foundations
Fairness demands noting, Merv, crafted by Dane Clark and Linsey Stewart and helmed by director Swale, doesn't pretend to be deeper than a light film. We have here a seasonal offering from a corporate studio – the depth remains surface-level. The narrative proves to be uncomplicated: exes Russ (Charlie Cox) and Anna (Zooey Deschanel), realizing that their own sadness is rivaled only by their dog's, embark on a uplifting getaway to a dog-friendly resort. At this location, predictably, they will presumably realize the idea that they are better together. Side characters – featuring a group of comedic actors – are crafted as the usual assortment of types. Its aesthetic has the quality of a streaming service original, with a holiday backdrop that is visibly contrived – as seen in fake snow surrounding verdant foliage as a warm climate doubles as a cold December city.
Where the Film Shines
How these predictable parts come together into something enjoyable depends on the actors' work and the viewer's appetite for comfort viewing. On the latter point, Merv hones in on a demographic – individuals who browse regularly for cute animal clips. Audiences receive a wealth of scenes focused on the pet. The main attraction is the dog, and though it results in some awkward editing between the pet's "lines" and people's faces, the movie does offer walking sequences, dog depression, and, in the end, a tail-wagging resolution.
The Two-Legged Cast
This level of success cannot be applied for the human side of the story. Its style vacillates between serious study, broad humor, predictable love story, and physical comedy, never fully committing to a consistent feel. This is not Charlie Cox, who is admirably committed the humiliating and funny inherent in the bizarre setting. Cox exhibits a charming humility that provides a significant portion of the appeal for this ostensibly perfect couple. Her co-star Deschanel, in her typical fashion, injects a certain millennial quirkiness that will click for some but not others. Her Anna comes across as a touch too detached, particularly when paired with Cox's vulnerable performance. (On another note, Merv himself succeeds in flopping and whining – while no Messi from that acclaimed drama, he is still a scene-stealer.)
The film attempts to add substance to Anna and Russ's relationship for sequences focusing solely on them – which is unfortunate, since the title character is by far the best part of this feel-good picture. Unsurprisingly, it just about gets by. The cause for their separation might seem more adult and realistic with more screen time and less blunt explanation. Ultimately, Merv is slight and sweet, meeting every expected note. Crafting a story about dog co-parenting has potential – though it's not exactly a brilliant concept.
- Merv becomes available on Prime Video starting December 10.
